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Photo Credit: Tammy Cassesa

'Next to Normal' is anything but (and so much more)

There are so many things that I want to share about this production of "Next to Normal," but I find myself at a loss for words to fully convey the raw emotional journey, expression of…

There are so many things that I want to share about this production of “Next to Normal,” but I find myself at a loss for words to fully convey the raw emotional journey, expression of human fallibility and complexity, and utter importance of this show, especially in our current environment. The winner of three Tony Awards and a Pulitzer Prize, the rock musical “Next to Normal” shares the story of a suburban household struggling with the effects of mental illness. The book and lyrics by Brian Yorkey and music by Tom Kitt provide powerful material, but it is the insightful and empathetic direction of Matthew Wilson, coupled with an undeniably multi-talented cast, that sets this particular production by Cincinnati Landmark Productions at the Warsaw Federal Incline Theater on another level altogether. This show takes you deep into the hearts and minds of every character, showcasing the profound impact that mental illness can have not only on the individual, but to all those involved (including the audience). Wilson’s brutal honesty and compassion on an issue that is becoming heartbreakingly prevalent in our society ensures that this production of “Next to Normal” is anything but normal and so much more.

Similar to the production, the theater itself is thoughtfully designed with an intimate and open concept that enables the audience to fully embrace what is happening on stage. It is also set on one of the most beautiful vistas that Cincinnati has to offer. In an exceptionally cerebral and apt choice, Wilson’s inspiration from M.C. Esher’s “Relativity” led to a set design that effectively leaves everything and everyone just slightly off balance, showcasing the intricately interwoven yet not fully connected dynamics of both mental illness and a family attempting to navigate modern life in the face of loss and love. The decision to leave the props to a minimum and focus on the vocally strong, talented ensemble made each and every moment more impactful. The effective use of sometimes harsh humor and clever interplay in the front half enables the build up to an extraordinary moment of reveal, taking the audience on an emotional roller coaster that hopefully caused as much introspection in others as it did for me. But it is the second half that truly hits the perfect note, leaving us with the most important of human emotions…hope.

Photo credit: Tammy Cassesa

Rarely do I feel the need to share shout-outs for all cast members, but it would be a disservice to this phenomenal cast to not share a collective performance that quite simply took my breath away. Brian Anderson as father Dan has a strong voice that expertly navigates tricky dialogue, and stuns with his emotionally raw realization later in the show. Elliot Handkins as Henry and Derek Harper as the doctor are fantastic in their supporting roles, sharing strong vocals and effectively bringing to life the equally bewildering aspects of growing up and psychiatry respectively. Lesley Hitch in the demanding role of wife and mother Diana is strength and talent personified, truly making us part of her struggle and leaving us desperately rooting for her throughout. But it was Tanner Gleeson and Leslie Kelly as siblings Gabe and Natalie whose raw and so very real portrayals of growing up and seeking to be recognized for who they are that stole the show, reminding us that the actions of one person can profoundly impact so many others. Their vocal talent is put to excellent use and they beautifully deliver some of the show’s most powerful songs. When you realize that each of these actors has a day job and their own lives they are managing, you better understand the extraordinary nature of their talent and effort. Thank you all for taking the time to deliver such an important show.

Ultimately, you need to go into this show with your eyes, mind and hopefully your heart, wide open. In the words of Leslie Kelly, “While it is a rock musical and you’ll enjoy the groove, if we’ve done our job right, you’ll remember how it makes you feel, long after the curtain falls.” Well said and so important as we personally look to navigate in a world where compassion and kindness are more important than ever. Props to the Warsaw Federal Incline Theater for bringing this musical and its message back into the spotlight. So embrace whatever your context of “normal” or “next to normal” may be, and take the time to see “Next to Normal” now through October 21. You’ll thank me later.

Christi Geary is the proud mom of two girls (8 and 11), best friend and wife of her husband Brian, and an Associate Director at the Procter & Gamble Company focused on shopper innovation insights and analytics. She enjoys and participates in art of every kind, feeds an insatiable curiosity for learning every day through books and connecting with others, pursues different forms of exercise when she can find the time to balance out her foodie predilection (highly recommend DanceFix and Pilates Reformer), and delights in spending time with family and friends. Writing reviews for the arts is an absolute privilege and one she cherishes every day, with the hope that sharing her perspective will inspire others to embrace the arts.