Organized by the Contemporary Arts Center & Tang Museum, Skidmore College; Co-Curated by Ian Berry & Steven Matijcio

When Njideka Akunyili (b.1983) left Lagos for the U.S. at age 16 she detoured from her initial plan to be a doctor to pursue painting and fulfill the urge to tell another side of Nigeria’s story. “America has a lot of people talking about how Nigeria doesn’t,” she says. “Often people have a singular view about Nigeria and Africa. But problems of misrepresentation happen when people tell your story for you.” To posit a pronounced, but hybridized voice she fuses painting, drawing, collage and the use of transfers – a typically Western printing process that involves transferring ink from photographs using solvent. Akunyili Cosby builds up the transfer images of popular culture to reference traditional African textiles, creating quilt-like pieces that speak to post-colonial identities and traditions being pieced together. Her first paintings navigated the domestic landscape of life with her new American husband and intimate scenes of their wedding and home. Predecessors mines deeper into Akunyili Cosby’s past, collecting portraits of her Nigerian family in a range of domestic settings. This exhibition will unite this seminal series for the first time, bringing together individual pieces from London, Johannesburg, New York and Los Angeles to celebrate a formative body in an artist’s rapidly emerging voice.

Mama, Mummy and Mamma (Predecessors #2) [detail] - Njideka Akunyili Crosby. 2014, Image courtesy of the Artist and Victoria Miro Gallery.