One might not immediately associate Frank Stella (b. 1936), the American painter, sculptor and printmaker noted for his work in the areas of minimalism and post-painterly abstraction with a cumulative, lyrical poem that concludes the traditional Seder, or festive meal, on the Jewish holiday of Passover. Yet he created a series of 12 lithographs based on the Had Gadya (One Little Goat) prints by the early-20th century Russian-Jewish artist El Lissitsky after being inspired by their movement and the vibrancy of their simplified, graphic forms.