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Lormarev Jones taps into the frustrations of fellow women who kicked off the "Millennial" generation at Cincinnati Fringe Festival.
Let Alexx Rouse be your in-flight entertainment with "Stow Your Baggage" at Cincinnati Fringe Festival.
"Descent: A Murder Ballad" is an excellent Cincinnati Fringe Festival entry from Hannah Gregory with a stellar cast of actors doubling as musicians.
In Schedule C Shows' "Puppets Should Speak," relationships breakdown when a boyfriend (an actual ventriloquist's dummy) stops communicating. It's all very Cincinnati Fringe Festival.
In "Walking While Black in Moscow," Les Kurkendaal-Barrett relates what he learned about the challenges of being a person of color who is gay in a place where the former is rare and the latter is dangerous.
Cincinnati Fringe Festival is now underway, entirely digital. In "Hive Mind," Performance Gallery and Solasta Theatre Lab take a look at quarantine life from an unusual perspective.
"Quit While You're Ahead," from A to Z Productions, takes a starkly rational view of suicide, weighing the pros and cons with semi-empirical data.
"Paul and Erika's HOUSE SHOW," from Theatre Mobile in Cincinnati, demonstrates what to do when there's really no way of knowing what to do.
For their entry in 2020's digital Cincinnati Fringe Festival, Pones use dance in empty spaces to underscore the surreal times we're living through.
"m-o-u-s-e" is an exploration of the Disney monolith from the perspective of a future archaeologist and the mouse who inspired Mickey.
Kari E. McLean