Please Note: This event has expired.
Disillusioned artist Annie falls in lust with a mattress store.
Part of the 2022 Cincinnati Fringe Festival!
From Kelly Morton of Cincinnati, OH
Disillusioned artist Annie takes a job at Mattress Time, where she is seduced by low expectations . . . and a sexy, sexy mattress. Will she leave to pursue her art, like her boyfriend wants? Or will she be sucked forever into the world of Mattress Time?
Category: Play
Tags: Comedy, Seduction, Mattresses
Rating: R (17+)
Venue: Know
Run Time: 60 Minutes
Artist Bio
Playwright and producer Kelly Morton is a Cincinnati-based writer and improvisor. Her show The Butterfly Heist won the Cincinnati Fringe Festival’s Artist Pick of the Fringe in 2020. Previous credits include Know-produced audio plays Almost Midnight, Almost Jazz and Starbucks & Target. Musical director Daniel Zimmer previously performed the music at Fringe performances of Vegetables! (2019) and The Bureau (2018), both of which won Audience Pick of the Fringe.
ADMISSION INFO
Due to the small nature of Fringe Festival venues and the tight schedule of more than 177 performances in just 2 weeks, there is No Late Seating to any Fringe Festival Event.
Tickets are available in advance at cincyfringe.com.
Tickets may also be available at your event's venue, 30 minutes before your performance, subject to availability.
We highly recommend advance purchases when you can!
Late Seating Policy
Venue houses open 15 minutes prior to showtime for all performances. NO LATECOMERS WILL BE ADMITTED TO ANY PERFORMANCE. Avoid disappointment and arrive early for your shows!
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Phone: 513-300-5669
Email: info@knowtheatre.com
INDIVIDUAL DATES & TIMES*
Additional time info:
Part of the 2022 Cincinnati Fringe Festival!
LOCATION
Coronavirus (COVID-19) Update
With an ongoing pandemic, Cincy Fringe is working to ensure that artists and patrons have a fantastic, safe, and COVID-free Fringe. Updated COVID safety guidelines will be issued closer to the festival based upon pandemic conditions. Please note: Efforts to control COVID-19 exposure must be collaborative. We need participation from audiences, artists, and staff.